‘Longlegs’ Review: Happy Birthday
Osgood Perkins crafts a serial thriller reminiscent of similar, better films.
‘The Hunger Games: The Ballad Of Songbirds & Snakes’ Review: A Stylish Return To The Beginning
This Hunger Games prequel accomplishes a rare feat.
‘Leave The World Behind’ Review: Mystery Is The Culprit In Apocalyptic Thriller [AFI Fest]
At least the camera goes through walls?
‘Priscilla’ Review: A Star Is Born In Sofia Coppola’s Examination Of An Iconic Relationship
Sofia Coppola’s portrait of a marriage is her most intimate film.
‘Killers Of The Flower Moon’ Review: Martin Scorsese’s Latest Epic Defines His Legacy As A Filmmaker
Martin Scorsese reckons with history in his latest.
‘Saltburn’ Review: Barry Keoghan Goes Way Of ‘Mr. Ripley’ In Emerald Fennell’s Latest Twisted Film
Emerald Fennell’s sophomore feature is unhinged in the best way.
‘Hit Man’ Review: Glen Powell Cements His Status As A Movie Star In Steamy Hitman Rom-Com [TIFF]
Powell may just be the next Tom Cruise.
‘Woman Of The Hour’ Review: Remember When A Serial Killer Went On The Dating Game? [TIFF]
Anna Kendrick’s directorial debut is one of the better actor-turned-director efforts at TIFF so far.
‘The Holdovers’ Review: Alexander Payne’s Return To Form Is An Instant Classic [TIFF]
Annual Christmas watch status achieved.
‘Lee’ Review: Kate Winslet Is War Photographer Lee Miller In Dramatic Biopic [TIFF]
Kate Winslet stars in the biopic/war drama.
‘Fitting In’ Review: Maddie Ziegler Stars In Genre-Unsure Coming-Of-Age Movie [TIFF]
A better punny title than No Hard Feelings, that’s for sure.
‘Finestkind’ Review: Tommy Lee Jones Might Be The Only Good Part Of Mediocre Crime Drama [TIFF]
It’d be unwise for a fish to take this bait.
‘The Zone Of Interest’ Review: Jonathan Glazer’s Masterpiece Is Unlike Anything You’ve Seen [TIFF]
“Heil Hitler. Et cetera.”
‘Anatomy Of A Fall’ Review: Sandra Hüller Stars In Justine Triet’s Calculated Courtroom Drama [TIFF]
Justine Triet’s Palme d’Or winner is a riveting mystery.
‘Blue Beetle’ Review: DC’s Latest Is Full Of Heart But Not Much Else
It’s better than Black Adam.
‘Oppenheimer’ Review: Christopher Nolan Looks To History With His Magnum Opus
With Oppenheimer, Christopher Nolan delivers the best film of the year.
‘Barbie’ Review: Greta Gerwig Finds Humanity In Dolls
This Ken loves movies, especially good ones like Barbie.
‘Mission: Impossible - Dead Reckoning Part One’ Review: The Most Intense Mission Yet
Tom Cruise defines what it means to be a movie star.
‘Indiana Jones And The Dial Of Destiny’ Review: It’s Hard To Say Goodbye
Really, we’re doing this again?
‘Catching Dust’ Review: What Exactly Are We Supposed To Feel? [Tribeca]
There are things to like here, but not enough to outrun confusion.